At the end, each vial has the right content

07 July

"At the end, each vial has the right content"

The finished veneering ceramic is inserted with a filling nozzle into the plastic vial. Exactly 50 grams pass through a funnel into each container. A balanced scale controls the filling quantity. The full vial is now automatically sealed with a plastic lid until it is manually reopened for use in the dental laboratory. In the end, each technician on site must know what kind of veneering ceramics he or she is dealing with and in which shade. This means that the journey of the ceramic vial is far from over: Now it awaits the corona treatment, which involves an unexpected turn on the conveyor belt. Directly above the plastic lid, two electrodes generate a spark, which creates a controlled plasma flame. The flame is blown onto the lid surface. This opens the plastic pores, which can absorb color and thus the lettering via pad printing. "If we did not do that, the color would not hold. Everything runs completely automatically." After half an hour, the pores close again. Then the lettering is securely integrated in the plastic. The fully automated journey of the vial continues on. Pneumatic cylinders now fix it securely to allow the appropriate imprint on the body of the vial as well. Article name, shade and part of the article number are added permanently on both the lid and body of the vial. As a result, the veneering material can be properly classified in the laboratory without any chance of them being mixed up. Using the article number, each production batch can be clearly traced. This process requires a lot of effort, but it pays off. The small lettering provides a big benefit.

The veneering ceramic is filled in the vials.
The veneering ceramic is filled in the vials.
The veneering ceramic is filled in the vials.
The plastic lid is printed.
The plastic lid is printed.
The plastic lid is printed.
Lid with article, shade and number.
Lid with article, shade and number.
Lid with article, shade and number.

Perfect interaction: veneering VITA YZ® with VITAVM®9

VITA VM 9

VITAVM®9

VITA VM 9 is a highly-esthetic, fine-structure feldspar ceramic that is perfectly adapted to the CTE value of zirconia frameworks (approx. 10.5, e.g. such as VITA YZ) – regardless of whether they are white, colored or translucent.

In addition, you can also use VITA VM 9 for individualizing restorations made from VITABLOCS MARK II and VITA PM 9 press ceramic pellets.

The main components are pure-grade potash and albite feldspar materials that offer brilliant shade effects as well as optimum physical properties, such as extreme flexural strength values.

Thanks to its homogeneous, compact surface, VITA VM 9 supports outstanding grinding and polishing, particularly in situ. This results in smooth and densely compact surfaces.

Accumulation of plaque on the ceramic surface is significantly reduced, supporting the patient in caring for their high-quality restoration.

VITA VM 9 is a high-quality system component provided by the innovative VITA VM concept – the universal solution for all common indications. Metal-ceramics, all-ceramics or composite: the possibilities are endless!

VITA AKZENT Plus and VITA INTERNO stains are also available for individual finalization.

VITA YZ®

VITA YZ® SOLUTIONS

VITA YZ® XT – Extra Translucent ZrO2
VITA YZ® ST – Super Translucent ZrO2
VITA YZ® HT – High Translucent ZrO2
VITA YZ® T – Translucent ZrO2

For

  • monolithic three-unit anterior bridges
  • monolithic bridge restorations in the posterior tooth area
  • for partially veneered, multi-unit bridge restorations
  • for high-strength, fully veneered bridge restorations

Dental Technician Show Yamamoto (Tokyo, Japan)

Natural care for discoloration and metallic post abutments

Natural restorations o of incisors is the most demanding of the dental disciplines. Cases of discoloration of the dentine and/or metallic pivot teeth/stump teeth pose a special esthetic
challenge. Here, dental technicians have to choose a material mix which provides a reliable mask, but also allows for natural shading and lighting.

In the following case, Master Dental Technician Show Yamamoto (Tokyo, Japan) shows how such a clinical situation can be successfully solved with the VITA YZ zirconium dioxide and VITA VM 9 veneering ceramic. The clinical treatment and intraoral photography were carried out by Dr. Takuya Yada (Tokyo, Japan).

INITIAL SITUATION: Initial clinical situation with the insufficient, metal-ceramic crown 21.
INITIAL SITUATION: Initial clinical situation with the insufficient, metal-ceramic crown 21.
INITIAL SITUATION: Initial clinical situation with the insufficient, metal-ceramic crown 21.
Fig. 2 After the crowns have been removed, discolored
dentine and a metallic structure appear.
Fig. 2 After the crowns have been removed, discolored
dentine and a metallic structure appear.
Fig. 2 After the crowns have been removed, discolored
dentine and a metallic structure appear.
Fig. 3 The tooth shade was determined using
VITA Linearguide 3D-MASTER.
Fig. 3 The tooth shade was determined using
VITA Linearguide 3D-MASTER.
Fig. 3 The tooth shade was determined using
VITA Linearguide 3D-MASTER.
Fig. 4 Digital verification with the VITA Easyshade V.
Fig. 4 Digital verification with the VITA Easyshade V.
Fig. 4 Digital verification with the VITA Easyshade V.
Fig. 5 Polar eyes filters eliminate reflections and make
characterizations visible.
Fig. 5 Polar eyes filters eliminate reflections and make
characterizations visible.
Fig. 5 Polar eyes filters eliminate reflections and make
characterizations visible.
Fig. 6 The wash firing with VITA AKZENT Plus EFFECT
STAINS reproduces the basic shade.
Fig. 6 The wash firing with VITA AKZENT Plus EFFECT
STAINS reproduces the basic shade.
Fig. 6 The wash firing with VITA AKZENT Plus EFFECT
STAINS reproduces the basic shade.
Fig. 7 The dentine core is created and individualized with VITA VM9 BASE DENTINE 3M2
Fig. 7 The dentine core is created and individualized with VITA VM9 BASE DENTINE 3M2
Fig. 7 The dentine core is created and individualized with VITA VM9 BASE DENTINE 3M2
Fig. 8 Condition of restoration after first dentine firing.
Fig. 8 Condition of restoration after first dentine firing.
Fig. 8 Condition of restoration after first dentine firing.
Fig. 9 Layering 3M2 with individual effects for the second dentine firing.
Fig. 9 Layering 3M2 with individual effects for the second dentine firing.
Fig. 9 Layering 3M2 with individual effects for the second dentine firing.
Fig. 10 Two separate firings are used to characterize horizontally and vertically.
Fig. 10 Two separate firings are used to characterize horizontally and vertically.
Fig. 10 Two separate firings are used to characterize horizontally and vertically.
Fig. 11 Melt was coated with NEUTRAL, EC1, EE3, EE4, EE5, EE8, EE9, and WINDOW.
Fig. 11 Melt was coated with NEUTRAL, EC1, EE3, EE4, EE5, EE8, EE9, and WINDOW.
Fig. 11 Melt was coated with NEUTRAL, EC1, EE3, EE4, EE5, EE8, EE9, and WINDOW.
Fig. 12 A fixation mold was taken during the try-in of the
raw firing.
Fig. 12 A fixation mold was taken during the try-in of the
raw firing.
Fig. 12 A fixation mold was taken during the try-in of the
raw firing.
Fig. 13 Final form and texture were designed with
diamond tools.
Fig. 13 Final form and texture were designed with
diamond tools.
Fig. 13 Final form and texture were designed with
diamond tools.
Fig. 14 A golden texture marker helps to visually Highlight the surface structure.
Fig. 14 A golden texture marker helps to visually Highlight the surface structure.
Fig. 14 A golden texture marker helps to visually Highlight the surface structure.
RESULT
RESULT: The final restoration on 21 harmonizes perfectly with the natural adjacent teeth and has natural shading and lighting.
RESULT

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All topics on the VITA Calendar 2018
All topics on the VITA Calendar 2018

VITAVM®9

Feldspar veneering ceramic for zirconia frameworks, VITABLOCS Mark II and VM 9
Natural fine-structure feldspar veneering ceramic for zirconia frameworks, VITABLOCS Mark II and PM 9

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The play of shade with the precision scale.
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